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{"id":7094,"date":"2010-07-02T13:49:34","date_gmt":"2010-07-02T18:49:34","guid":{"rendered":"https:\/\/www.aoiusa.org\/?p=7094"},"modified":"2010-07-02T13:49:34","modified_gmt":"2010-07-02T18:49:34","slug":"christian-imagery-with-local-charm-and-vitality","status":"publish","type":"post","link":"https:\/\/www.aoiusa.org\/christian-imagery-with-local-charm-and-vitality\/","title":{"rendered":"Christian Imagery, With Local Charm and Vitality"},"content":{"rendered":"

New York readers may be interested in this exhibit at the Museum of Biblical Art<\/a> near Columbus and Broadway.<\/em><\/p>\n

<\/div>\n

\"\"<\/a>

\u201cThe Passion of Christ\u201d: none of the show\u2019s works is attributed to a known artist, adding to the sense of a culture animated by genuine religious feeling.<\/p><\/div>In 1051 a Greek Orthodox monk named Anthony retreated to a cave overlooking the Dnieper River in Kiev. Disciples came, buildings were constructed, and, by the 17th and 18th centuries, the Monastery of the Caves embraced a flourishing metropolitan sprawl of 3 Ukrainian cities, 7 towns, 120 villages and more than half a million peasants.<\/p>\n

Today, in addition to a multi-tiered, gold-domed bell tower soaring more than 300 feet, its most remarkable feature is a system of subterranean caves, including living quarters and chapels, and a labyrinth extending more than 650 yards into the Berestov Mount. <\/p>\n

Read the rest of the article on the New York Times<\/a> website.<\/p>\n","protected":false},"excerpt":{"rendered":"

New York readers may be interested in this exhibit at the Museum of Biblical Art near Columbus and Broadway. In 1051 a Greek Orthodox monk named Anthony retreated to a cave overlooking the Dnieper River in Kiev. Disciples came, buildings were constructed, and, by the 17th and 18th centuries, the Monastery of the Caves embraced […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1784],"tags":[13,1386,1385],"_links":{"self":[{"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/posts\/7094"}],"collection":[{"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/comments?post=7094"}],"version-history":[{"count":1,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/posts\/7094\/revisions"}],"predecessor-version":[{"id":7096,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/posts\/7094\/revisions\/7096"}],"wp:attachment":[{"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/media?parent=7094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/categories?post=7094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aoiusa.org\/wp-json\/wp\/v2\/tags?post=7094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}