For the first time, a Turkish film has taken a serious look at the anti-Greek riots in Istanbul on Sept. 6-7, 1955<\/a>, a horrific mob attack that triggered the rapid decline of the Greek Christian community — at the time numbering some 120,000 to 135,000 people. Widespread destruction was wreaked on homes, businesses and Greek Orthodox Church property. Businesses and homes owned by Armenians and Jews were also targeted.<\/p>\n An article in Today’s Zaman<\/a>, a Turkish paper, describes the film “G\u00fcz Sanc\u0131s\u0131,” or “The Pain of Autumn,” as a love story of Beh\u00e7et and Elena, a Turkish man and a Greek woman, set against the tension that culminated in the real-life destruction of 5,300 businesses and houses owned by Greeks, Armenians and Jews. The paper, citing distributor \u00d6zen Film, said that more than 500,000 people have seen the film since its release in March. Visit the official site here<\/a>.<\/p>\n The producers of “The Pain of Autumn” say the film about the 1955 pogrom … <\/p>\n … is a result of an easing of curbs on freedom of expression accompanying Turkey’s drive to meet European Union membership standards. “This film couldn’t have been made 10 years ago,” said Etyen Mah\u00e7upyan, who wrote the screenplay and is editor of the Armenian community newspaper Agos. “Though the laws on the books still limit free speech, the reality is there’s less and less that can’t be criticized.”<\/p><\/blockquote>\n Today’s Zaman article quotes a historian who asserts that the Turkish “deep state”<\/a> was behind the attacks: <\/p>\n On the night in question, thousands of protesters converged on central \u0130stanbul, incited by news reports that Greeks in Thessaloniki had bombed the childhood home of Mustafa Kemal Atat\u00fcrk, the founder of modern Turkey. It emerged later that the reports were false. Tension between Turkey and its historical rival Greece was high at the time over Cyprus. Police and soldiers stood by when the protest turned violent. Cemeteries were desecrated, churches were looted and about a dozen people died, said Dilek G\u00fcven, a historian and author of a 2005 book on the subject, “The September 6-7 Events.” Hundreds of women were raped, she said. Damage was estimated at $50 million, or about $400 million in today’s terms. Most of the attacks were against Greek-owned targets, but almost a third were aimed at property owned by Armenians and Jews. More than 5,000 people were arrested and most were later acquitted. Prime Minister Adnan Menderes and two members of his government, deposed in a 1960 military coup, were found guilty the following year of violating the constitution and executed. During the trial, one of the principal charges the judges heard was that the Menderes government was behind the 1955 events. Research by G\u00fcven and others has shown the conspiracy ran deeper, involving the military and the intelligence service, and was aimed at pressuring minorities to abandon their property and leave the country.<\/p><\/blockquote>\n Today’s Zaman interviewed the Rev. Dositheos Anagnostopulous, a spokesman for the Greek Orthodox Church, who estimated that 60 percent of Greeks still living in Istanbul are over the age of 55. “September 6-7 was our Kristallnacht,” Anagnostopulous said, referring to the Nazi pogrom of 1938. “The chances of something like this happening again are slim, because Turkish youth today are more critical in their thinking. But to be sure, they need to learn that this catastrophe occurred, that’s why the film is important.”<\/p>\n In a 2005 article in the newspaper Hurriyet, one Turkish witness, then a 14-year-old school boy, remembered the riots as “a disgusting, belittling and tragic affair.”<\/a> He struggled to come to terms with what happened as he grew into adulthood, still seared by the memories:<\/p>\n As I was seeking answers to these questions, the Greek families in our neighborhood started to move to other places or go to Greece. After 1963 none of them were left. They left Istanbul.<\/p>\n They took with them an important culture, a color and a different lifestyle.<\/p>\n They left us alone in Istanbul to live our colorless lives.<\/p>\n Later on we were full of regret, but by then it was too late. <\/p><\/blockquote>\n